Bach Bibliography Search Result

Author : Franklin, Don O.
Max number of results shown : 300
Display author field : OFF
Output sorted : chronologically (table)

Type	List	Title [further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	Problems of Text and Tempo in Bach's Well-Tempered Clavier II: A New Look at the Sources.	[p]AMS_Philadelphia			Nov 1976
	2.	Textual Problems in Bach's W.T.C.	[p]AMS_RockyMountain			Apr 1977
	3.	Problems of Tempo in J. S. Bach's Music.	[p]AMS_Michigan			Nov 1982
	4.	Problems of Tempo in the Keyboard Works of J. S. Bach.	[p]AMS_MidAtlantic			Mar 1984
	5.	The Music for Keyboard.	[p]AMS_SouthCentral			Apr 1985
	6.	Articulation in the cembalo works of J. S. Bach: A notational study.	[cr]Stuttgart1985			1987	ii: 452-465
	7.	Reconstructing the Urpartitur for WTC II: a study of the 'London Autograph' (BL Add. MS 35021).	BachStud	1		1989	240-278
	8.	Bach Studies. [1]	BachStud	1		1989	362p
	9.	The Carnegie Manuscript and J. S. Bach.	Bach	22	1	Spring-Summer 1991	5-15
	10.	Die Artikulation in den Cembalowerken J. S. Bachs - eine Notationsstudie.	BachSt	10		1991	280-301
	11.	Die Fermate als Notationsmittel für das Tempoverhältnis zwischen Präludium und Fuge.	BeitrBachF	9-10		1991	138-156
	12.	The Carnegie Manuscript and J. S. Bach.	CarnegieMag	60	7	1991	20-25
	13.	Bach's Keyboard Music in the 1730s and 1740s: Organs and Harpsichords, Hildebrandt and Neidhardt.	EarlyKStudNL	6	1	1991	1-6
	14.	The Fermata as Notational Convention in the Music of J. S. Bach.	FestschriftSer	10		1992	345-381
	15.	The Libretto of Bach's John Passion and the Doctrine of Reconciliation: An Historical Perspective.	[cr]Amsterdam1993			1995	179-203
	16.	Vom Recht Sterben, Christlich Leben, und Seelig Sterben: Johann Olearius und Johann Sebastian Bach.	[p]QJSB_Stuttgart			Oct 1995
	17.	The 6/4 Time-signature as Sign and Symbol.	[p]IATB_Chicago			Sep 1997
	18.	'Recht Glauben, Christlich Leben, Seelig Sterben': Johann Olearius and Johann Sebastian Bach.	[cr]Stuttgart1995			1998	229-248
	19.	Konvention und Invention in Kantate 46: Johann Sebastian Bachs Kantate für den 10. Sonntag nach Trinitatis.	ArolserBeitrMf	7		1999	181-206
	20.	Vom alten zum neuen Adam: Phrygischer Kirchenton und moderne Tonalität in J.S.Bachs Kantate 38.	[cr]Eisenach1996			1999	129-144
	21.	The Role of 'Tacktarten' in Bach's composition of the chorale cantatas.	[p]IATB_Logumkloster			Oct 1999
	22.	Composing in time: towards a new understanding of temporal strusture in J.S. Bach's multi-movement works.	[p]BCB_Dublin			Jul 2000
	23.	The relationship between the theological and temporal dimension of the Matthew Passion.	[p]IBS_Utrecht			Sep 2000
	24.	Beziehungen zwischen Taktordnung und Kompositionstechnik in Teil I des Wohltemperirten Claviers.	[p]IS_Köthen			Oct 2000
	25.	Proportionen und Dimensionen in der Missa in h.	[p]WK_Leipzig			Jan 2000
	26.	The Role of Time Signatures in Bach's Composition of Jahrgang I.	DortmundBachF	3		2002	329-356
	27.	Aspekte von Proportion und Dimension in Johann Sebastian Bachs Missa von 1733.	LeipzigerBeitrBachF	5		2002	235-272
	28.	Das Verhältnis zwischen Taktart und Kompositionstechnik im Wohltemperierten Klavier I.	MwSchr	38		2002	147-160
	29.	Viewing the Goldberg Variations as a musico-mathematical matrix.	[p]BS_Dortmund			Jan-Feb 2002
	30.	Viewing the Goldberg Variations as a musico-mathematical matrix.	DortmundBachF	6		2003	231-250
	31.	C.P.E. Bach's St. Matthew Passion 1789 as Parody and Pasticcio.	[p]WAfB_Wolfenbüttel			Apr 2003
	32.	Composing in time: Bach's temporal design for the Goldberg Variations.	IrishMStud	8		2004	103-128
	33.	Johann Sebastian's Matthew Passion as a model for the Hamburg Matthew Passions of Carl Philipp Emanuel.	[p]BICB_Manchester			Jul 2004
	34.	Carl Philipp Emanuel Bach's 1789 Matthew Passion as Pasticcio and Parody.	WolfenbüttelArbBarockF	43		2005	ii: 655-672
	35.	Alfred Mann (1917-2006): A Personal Reminiscence.	BachNotesABS		6	Fall 2006	18-19
	36.	A Guide to the Temporal Structure of the 1733 Missa.	[cr]Belfast2007	2		2007	446-458
	37.	The Missing Adagio.	EarlyMReview		119	Jun 2007	12-13
	38.	The Role of the 'Actus Structure' in the Libretto of J. S. Bach's Matthew Passion.	[fs]Leaver65			2007	121-139
	39.	Bach and the Oratorio Tradition.	[p]ABS_Bethlehem			May 2008
	40.	Bill Scheide: Pioneer and Promoter of Bach's Music.	BachNotesABS		11	Spring 2009	7-8
	41.	The 2009 Montreal Bach Symposium -- A Conference Report.	BachNotesABS		12	Winter 2010	2
	42.	George J. Buelow (March 31, 1929 -- March 30, 2009)	BachNotesABS		12	Winter 2010	11
	43.	Viewing the poetic texts in Bach's Matthew Passion from a new perspective.	[fs]Petzoldt65			2011	67-77
	44.	In Memoriam: Martin Petzoldt (13 April 1946--13 March 2015).	Bach	46	1	2015	1
	45.	'Recht Glauben, Christlig Leben, Seelig Sterben': Johann Olearius and the Libretto of Cantata 67.	Bach	46	1	2015	2-28
	46.	Viewing the Poetic Texts in Bach's Matthew Passion from a New Perspective.	Bach	46	1	2015	29-48
	47.	Don O. Franklin named Honorary Member.	BachNotesABS		22	Spring 2015	1-2
	48.	Remembrance of Martin Petzoldt.	BachNotesABS		23	Fall 2015	4-6
	49.	Reading Bachäs Notation: A Guide to the Temporal Structure of the 1733 Missa.	Bach	48	1	2017	76-92
	50.	Notational and Performance Issues in J. S. Bach's Preludes and Fugues for Organ.	Bach	51	2	2020	241-258